Low house with blue shutters analysis briefly. Low house with blue shutters analysis of the poem. Technical analysis of the poem

S. Yesenin's poem "Low house with blue shutters..." (Perception, interpretation, evaluation.)

I will never forget you, -

Were too recent

Sounded out in the twilight of the year.

He never betrayed his eternal religion - love for Russian nature. Often in his poems there are phrases like this:

As much as I would like not to love,

I still can't learn...

Or in another poem:

But not to love you, not to believe -

I can't learn.

Yesenin is a prisoner of his love. Basically, he writes joyfully and lightly about the village, but he does not forget about the sorrows that he himself saw. So, in the poem under consideration, speaking about cranes, Yesenin conveys the poverty of the village, the lawlessness of the robbers:

Because in the vastness of the fields

They haven't seen any nourishing bread.

We just saw birches and flowers,

Yes, broom, crooked and leafless...

Yesenin's poetry is full of original Russian words, the same ones that his great-grandmothers used. An echo of Russian antiquity is constantly heard in his poems, which gives them a special charm. He himself “completes” many words so that they are sung. For example, “but the oak is young and has not become stale...”. Where does this “without losing your stomach” come from? Or “everything calmly sinks into the chest.” And all this came from the poetic genius of Sergei Yesenin, whose storehouse of such words and transformations is endless.

There is also a connotation of an urban understanding of life in this verse:

I don't know how to admire

And I wouldn’t want to disappear into the wilderness...

There is also an amazing image in which there is tenderness, and years lived in rural life, and poverty, and holiness in this poverty:

Until today I still dream

Our field, meadows and forest,

Covered with gray chintz

These poor northern skies.

You immediately see an elderly woman with tired but kind palms - perhaps the poet’s mother, who in her poverty is purer than any rich man. In one phrase there is so much aching, distant... In general, Yesenin’s phrases always breathe the beauty of Rus', flow like rivers and endless skies, cover the expanses of fields, fill the reader with a wheat-blue-transparent feeling. Yes, Yesenin so merged with Russian nature that he seemed to be a continuation of it, a part of it. And guessing this himself, he writes in his poem:

And under this cheap chintz

You are dear to me, my dear howl.

That's why in recent days

The years are no longer blowing young...

Low house with blue shutters

I will never forget you.

M. Gorky, having met Yesenin in 1922, wrote about his impression: “...Sergei Yesenin is not so much a person as an organ created by nature exclusively for poetry, to express the inexhaustible “sadness of the fields,” love for all living things in the world and mercy, which - more than anything else - is deserved by man."

Yesenin often recalled his small homeland, a village in the Ryazan region, in poetry. His early works idealized the village, embellished it, and threw a romantic flair over it. The poems of the twenties, the last period of the life of the early departed poet, on the contrary, are permeated with deep sadness, as if covered with “gray chintz,” which is difficult to distinguish from a shroud. One of the works of recent years is “The Low House with Blue Shutters,” the date of writing of which, 1924, is indicated by the time of its first publication.

The main theme of the poem

The poem is the poet’s declaration of love for his parents’ home, appearing in memories from the “darkness” of bygone years. The mood of the lyrical hero is indicated already from the first lines: a poor, old house touchingly takes care of its beauty, decorating itself with blue shutters. The same sad and touching love for him painfully worries the poet’s heart. He is sad that now “no longer young years are blowing over him,” and the former admiration for his native places has gone, it has been replaced by “the sad tenderness of the Russian soul.”

A flock of cranes became a recognizable image of Yesenin’s late lyric poetry. And here she flies away “with a purr” into the gray distances. The poet is sad that under the “poor skies”, among birch trees, flowers, and crooked and leafless broom, the crane’s life was not satisfying and even dangerous - it was easy to die “from a robber’s whistle.”

As we see, the former strength, freshness, “a riot of eyes and a flood of feelings” that seethed in the early “village” poems of the poet gave way to sadness, regret about the past years. The poems about the village are still beautiful, but now they attract the reader with their dim beauty, the faded colors of the eternal autumn landscape. Twice in the poem the image of cheap, gray calico is used, with which the heavens are compared. The poverty of rural nature even more touches the heart of the poet, and after him the reader.

The lyrical hero openly says that he will never return to his beloved “wilderness”, because returning there means for him an “abyss”, to be forgotten. The reader plays the role of a random interlocutor, to whom he is not ashamed to admit mental weakness or a fatal illness. In the poem, the lyrical hero is sincere, as if in confession, he reveals to the reader a sick soul in which sadness has settled.

Structural analysis of the poem

The measured syllable using iambic trimeter allows you to tune in to the melancholy of the poet’s lyrical “I”. There are many long vowel sounds in words and conjunctions. The poet strives not to interrupt the monotonous flow of poetic speech, which most fully corresponds to the theme and objectives of the work. The emphasis in a poetic line is made once, when cross rhyme is abandoned, when the poet admits that he would like to get rid of the love that torments him for his native places, but “he cannot learn” to do so. The poem is highly emotionally charged and evokes a response to the lyrical confession.

With the poem “Low House with Blue Shutters,” Yesenin reveals to the reader the secret corners of his soul, complains about the melancholy that has gripped her, and confesses his eternal love for his native places.

This poem betrays the poet’s reverent attitude towards his small Motherland. Its symbol becomes the very house to which Yesenin addresses from the first lines. The house clearly does not have a second “rich” floor, and perhaps even then it had grown into the ground from old age. But here they care about beauty - they paint the shutters the beautiful color of the sky.

Sergei Yesenin declares that he will never forget this house, although many years have passed, but it seems that everything happened just yesterday. The poet continues to dream about “our” field, forest, meadows. Since childhood, he considered everything around this house to be his, his family. What was so special about this low house? Actually, the house itself is not described in the poem, remaining a symbol.

Twice (at the beginning and end of the poem) the poet here compares her pale and “poor” sky with a poor and gray chintz, but no poverty makes the poet’s love for his native land less. The theme of poverty continues in the “skinny distance”, in the cranes that never ate well... The author says that he fell in love with these birds, that is, we can conclude that previously they could have irritated him with their melancholy cooing. These cranes saw only, like him, crooked trees, and heard only the whistle of a nightingale. Here you seem to see the image of a robber nightingale, because further on it is written that you can die from this whistle.

Yesenin says that with age he “forgot how” to admire, the violent feelings went away due to fatigue and disappointment. And yet this quiet feeling for the house and everything around it has remained, and it warms. It is because of this, but for each of his own home or yard, a tender and sad feeling is born in the heart. This is how patriotism and the soul itself develop.

However, Yesenin himself admits that he would like to stop loving this Russian sadness and poverty, but he cannot. And none of those who fell in love with Russia can forget it either.

Analysis of the poem Low house with blue shutters according to plan

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The work belongs to the late work of the poet and is a lyrical composition in the form of a retrospective look at his bygone youth.

Sergei Yesenin spent his entire childhood and youth in the Ryazan village of Konstantinov. Village impressions shaped the poet’s worldview. Rural images forever became a part of his soul, never dulling or weakening in his consciousness.

I will never forget you, -
Were too recent
Sounded out in the twilight of the year.

He never betrayed his eternal religion - love for Russian nature. Often in his poems there are phrases like this:

As much as I would like not to love,
I still can't learn...
Or in another poem:
But not to love you, not to believe -
I can't learn.

Yesenin is a prisoner of his love. Basically, he writes joyfully and lightly about the village, but he does not forget about the sorrows that he himself saw. So, in the poem under consideration, speaking about cranes, Yesenin conveys the poverty of the village, the lawlessness of the robbers:

...Because in the vastness of the fields
They haven't seen any nourishing bread.
We just saw birches and flowers,
Yes, broom, crooked and leafless...

Yesenin's poetry is full of original Russian words, the same ones that his great-grandmothers used. An echo of Russian antiquity is constantly heard in his poems, which gives them a special charm. He himself “completes” many words so that they are sung. For example, “but the oak is young and has not become stale...”. Where does this “without losing your stomach” come from? Or “everything calmly sinks into the chest.” And all this came from the poetic genius of Sergei Yesenin, whose storehouse of such words and transformations is endless.

There is also a connotation of an urban understanding of life in this verse:
I don't know how to admire
And I wouldn’t want to disappear into the wilderness...

There is also an amazing image in which there is tenderness, and years lived in rural life, and poverty, and holiness in this poverty:

Until today I still dream
Our field, meadows and forest,
Covered with gray chintz
These poor northern skies.

You immediately see an elderly woman with tired but kind palms - perhaps the poet’s mother, who in her poverty is purer than any rich man. In one phrase there is so much aching, distant... In general, Yesenin’s phrases always breathe the beauty of Rus', flow like rivers and endless skies, cover the expanses of fields, fill the reader with a wheat-blue-transparent feeling. Yes, Yesenin so merged with Russian nature that he seemed to be a continuation of it, a part of it. And guessing this himself, he writes in his poem:

...And under this cheap chintz
You are dear to me, my dear howl.
That's why in recent days
The years are no longer blowing young...
Low house with blue shutters
I will never forget you.

M. Gorky, having met Yesenin in 1922, wrote about his impression: “...Sergei Yesenin is not so much a person as an organ created by nature exclusively for poetry, to express the inexhaustible “sadness of the fields,” love for all living things in the world and mercy, which - more than anything else - is deserved by man."

S. Yesenin dedicated many of his works to his small homeland. One of the most touching is “The Low House with Blue Shutters.” Schoolchildren study it in 5th grade. We invite you to familiarize yourself with a brief analysis of the “Low House with Blue Shutters” according to the plan.

Brief Analysis

History of creation- the poem was written in 1924, it was first published in the magazine “Russian Contemporary in 1924.”

Theme of the poem- sincere love for the small homeland, eternal memory of the parental home.

Composition– The analyzed work is divided into two parts: a memory of home, a description of landscapes dear to the heart. It consists of seven quatrains, each of which continues the previous one in meaning.

Genre- elegy.

Poetic size- trimeter trochee, cross rhyme ABAB.

Metaphors – “resonating in the darkness of the year”, “field, meadows and forest, covered with the gray chintz of these poor northern skies”, “forever I have the sad tenderness of the Russian soul”, “under this cheap whistle you are dear to me, my dear Vit”.

Epithets – “northern, poor skies”, “gray cranes”, “skinny distances”, “broom, crooked and leafless”, “robber whistles”.

History of creation

S. Yesenin was born in the village of Konstantinovo and spent his childhood here. Having grown up, he left a corner dear to his heart for the sake of his career. The years spent in his father's house were forever preserved in the poet's memory. Sergei Alexandrovich indulged in them with pleasure and sadness, because he understood that only in Konstantinovo did he feel carefree and happy.

Memories of his small homeland inspired the poet to create the poem “Low House with Blue Shutters.” It appeared in 1924, and a year later S. Yesenin left this world. The poem was first published in the same 1924 on the pages of the Russian Contemporary magazine. Today it is a textbook work of Russian literature.

Subject

In the analyzed poem, the poet reveals the theme of love for his small homeland. In the context of it, the idea is developed that the memory of one’s father’s house is timeless. The work is written in the first person. This technique hints at the autobiographical basis of the poems and brings the reader as close as possible to the lyrical hero and author.

In the first quatrain, the lyrical hero addresses the house, saying that he will never forget it. The years spent in the low house have already faded away, but the native spaces still remind of themselves in dreams. Gradually, the lyrical hero turns his attention to the nature of his father’s land. He talks about fields, meadows and forests that are carelessly covered by the sky. Yesenin associates his native sky with chintz. It is not at all striking in beauty; on the contrary, it seems “gray” and “poor.”

Nostalgia for childhood pushes the lyrical hero to frank confession. He openly says that he is not ready to return to the wilderness and disappear there, and he no longer knows how to admire. Nevertheless, he preserves the “sad tenderness of the Russian soul.” This metaphor hints at the fact that peasant blood flows in the veins of the metropolitan poet. After a laconic revelation, the hero again turns to images of his native nature. He talks about his love for cranes. It is not for nothing that this particular bird is mentioned in the work. In Slavic culture, the crane symbolizes homesickness.

After the revolution, S. Yesenin came to Konstantinovo. The changes unpleasantly impressed the poet. Apparently, this is why the lyrical hero of the work declares that he would like not to love the village. However, he understands that it is impossible to stop loving the region dear to his heart, because it is a part of his soul. In the last quatrain, the lyrical hero once again repeats that he will never forget “the house with blue shutters.”

Composition

The analyzed work is divided into two parts: a memory of home, a description of landscapes dear to the heart. It consists of seven quatrains, each of which continues the previous one in meaning. In the first and last quatrains the image of a “low house with blue shutters” appears.

Genre

The genre of the work is elegy, since it has no plot, the poem is filled with landscape sketches and feelings of the lyrical hero. The poetic meter is a three-foot anapest. S. Yesenin used cross rhyme ABAB.

Means of expression

Means of expression are a tool for creating a panoramic picture of the native land and expressing the feelings of the lyrical hero.

There is a lot in the text metaphors: ““ resounding in the darkness of the year ”, “ field, meadows and forest, covered with the gray chintz of these poor northern skies ”, “ forever I have the tenderness of the sad Russian soul ”, “ under this cheap whistle you are dear to me, my dear Vit.” Reproduced paintings are complemented epithets- “northern, poor skies”, “gray cranes”, “skinny distances”, “broom, crooked and leafless”, “robber whistles”.

Poem test

Rating Analysis

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