Palace of Alexander Mikhailovich. Palace of Grand Duke Paul Alexandrovich - royal palaces Palace of Kirill Vladimirovich

The princes and grand dukes of the Romanov dynasty owned palaces and estates in different parts of the vast country: the Ilinskoye estate near Moscow, which belonged to Sergei Alexandrovich, the Crimean estates of Dulber and Ai-Todor, which belonged to Pyotr Nikolaevich and Alexander Mikhailovich, respectively, as well as the Brasovo estate, which was owned by Mikhail Alexandrovich and others, others, others. On the banks of the Neva there is a magnificent palace where Grand Duke Pavel Alexandrovich lived. The Palace of Grand Duke Pavel Alexandrovich, or Novo-Pavlovsk Palace, is located at English Embankment 68 (formerly Red Fleet Embankment). In that corner of St. Petersburg that is called Kolomna. The appearance of the palace shows the influence of Italian Renaissance architecture. This is expressed in the accentuation of the main facade with a two-column Corinthian portico, in the treatment of the walls with deep rustication, and in the framing of windows with sandstones of various designs. The upper part of the façade is completed with a wide frieze decorated with moldings. The courtyard, which had access to Galernaya Street, was also designed in Baroque forms. The first owner of the mansion was Baron A.L. Stieglitz, on whose order it was erected in 1859-1862 by the architect A.I. Krakau, partially using the walls of two old residential buildings. But first things first. Initially, on a plot of land along the Promenade des Anglais, on the site of the mansion there were two residential buildings. One of them was built in 1716 and was the first stone house on the Promenade des Anglais. It was built by Ivan Nemtsov, a shipwright. After him, the house was owned by his son-in-law, the famous architect S.I. Chevakinsky. The second house was owned by the merchant Mikhail Serdyukov, the builder of the canal system in Vyshy Volochyok. In 1830, the site already belonged to the Stieglitz barons, a native of the German principality of Waldeck. May the readers forgive me for a free digression, but I cannot help but talk about the barons. Nikolai Stieglitz, having moved to Russia at the end of the 18th century, founded the St. Petersburg trading house. In 1802, his brother Ludwig came to visit him; He engaged in export-import trade, soon made a significant fortune and became a court banker. In 1807 he accepted Russian citizenship, and in 1826 he was granted the title of baron. Ludwig Stieglitz was one of the founders of the Black Sea Shipping Company and the organizer of the Odessa loan. The Stieglitzes quickly grew rich, and the old mansions located on this site no longer corresponded to their status. Baron Alexander Ludwigovich Stieglitz, son of Ludwig, ordered the then fashionable architect Krokau in St. Petersburg to build a palace on this site. Alexander Ludvigovich inherited from his father a huge fortune of 18 million rubles and the entire financial empire of the Stieglitzes, which was then already engaged in organizing external loans for Russia. The new palace had to correspond to all this. Stieglitz gave the architect complete freedom of creativity and an unlimited budget. A huge sum by those standards was spent on construction - 3.5 million rubles. Until 1887, the palace belonged to Baron Alexander Ludwigovich Stieglitz, the son of Baron Ludwig von Stieglitz. The palace stood out from everything that had been built so far on the Promenade des Anglais. Designed in the spirit of the then fashionable Italian palazzo, the façade has not changed and has reached us in its original form. The interiors of the palace combine all the ideas of the mid-19th century about style, beauty and comfort. Five years after completion of construction, approximately 1859-1862 years, Alexander Stieglitz commissions the famous Italian artist Luigi Premazzi to capture the interiors of the palace in watercolors. Premazzi painted seventeen watercolors, which very accurately reflected the smallest details of the interior; all of them were enclosed in a leather album on the cover of which there was the coat of arms of the Stieglitz barons. Now this masterpiece is in the Hermitage collection. Thanks to this, we can accurately appreciate all the luxury with which the palace was designed inside, in addition, we can see the richest collection of paintings that Stieglitz owned. Alexander Lyudvigovich built railways and produced paper, was a banker and a large-scale philanthropist - he built schools, colleges and museums. Later he retired from entrepreneurial activity and headed the State Bank. Soon the baron became related in a certain way to the Imperial family... According to contemporaries, the banker was an unsociable person. He often gave and took millions of sums without saying a word. It was also strange, according to some fellow financiers, that Stieglitz placed most of his capital in Russian funds. To all skeptical remarks regarding the imprudence of such an act, the banker replied: “My father and I received our fortune in Russia: if it turns out to be insolvent, then I am ready to lose all my fortune with it.” .

On June 24, 1844, at the Stieglitz dacha in Petrovsky, near St. Petersburg, a richly decorated basket appeared in which lay a baby girl. There was a note in the basket indicating the girl's date of birth, her name - Nadezhda and the fact that her father's name was Mikhail. According to the Stieglitz family legend, the girl was the illegitimate daughter of Grand Duke Mikhail Pavlovich, the younger brother of Nicholas I. The girl was given the last name Juneva, in honor of that beautiful June day when she was found. Baron Stieglitz adopted her and made her his heir, since he had no children of his own and was the last in his family. Baron Alexander Ludvigovich died in 1884, leaving the lucky foundling a simply grandiose fortune of 38 million rubles, real estate, financial structures... and including a palace on the Promenade des Anglais, the price of which, together with the collection of works of art in it, was then 3 million rubles However, Nadezhda Mikhailovna Juneva lived in another house on Bolshaya Morskaya, together with her husband Alexander Polovtsev. This house was also given to her by Alexander Stieglitz. They decided not to move into the palace and put it up for sale. However, only a select few could afford such an expensive purchase, and the palace stood empty for three years.

We return to the palace. A strong draft emphasizes the division of the façade into two floors. The walls of the lower floor are rusticated. The plaster on the walls of the upper floor imitates ashlar cladding. The platbands of the first floor with straight sandals on the brackets are simple and strict in design. In the mezzanine, the platbands have the form of porticoes consisting of two columns on pedestals supporting a triangular pediment. The center of the main façade is accentuated by a portico of two columns flanking the entrance. The plane of the façade is completed with a wide frieze decorated with moldings.

The interiors of the house are of artistic value. Among them, the ceremonial white marble staircase, the walls of which are decorated with Corinthian pilasters at the level of the second floor, stands out in terms of the richness of its compositional design. The former Living Room, arranged in five axes and decorated with caryatids, is not inferior to it in decoration. Nearby is the Dance Hall - the most elegant room of the palace, decorated with Corinthian fluted columns. The exit to the street from the staircase is designed in the form of an arch decorated with columns. The door from the second floor landing leads to the central room of the front suite - a room facing the Neva. It was a reception room, next to which there was a large living room with five axes, decorated with caryatids. Three wide openings connected the Cariatic with the dance hall, the most spectacular and spacious room, decorated with Corinthian fluted columns.

Damask draperies, gilded molding and carvings were widely used in decoration. The library room was decorated in oak. Fireplaces made of white and colored marble with sculptural details played a significant role in the decorative design of state rooms. In the concert hall, on padugas, in oval medallions, Krakau placed sculptural portraits of composers. One of the luminaries of Russian painting, F. A. Bruni, executed sketches of the picturesque panels “The Four Seasons” for interiors.

And here before your eyes are those same watercolorsLuigi Premazzi.....

1 - Dance hall 2 - Dinner hall

3 - Concert hall 4 - Library in the palace of A. L. Stieglitz

5- Living room

6 - Office of Baroness Stieglitz. 7 - Dining room 8- White living room 9 - main office 10 - Blue living room 11 - Golden Hall 12 - Dining room

Church of the Martyr Queen Alexandra at the Palace of Grand Duke Pavel Alexandrovich.

During the years of Soviet power, the palace underwent major changes - in 1938-1939 - the right courtyard wing was added to one floor. 1946-1947 - one floor was erected above the Moorish hall. In a palace At first, an orphanage was located, and then a shipbuilding design bureau - at that time 1,500 people worked in the house.

The city on the Neva has dozens of ancient palaces. After all, it was in St. Petersburg, just over a hundred years ago, that the entire aristocratic elite of Russia was concentrated.

The appearance of the palace shows the influence of Italian Renaissance architecture. The upper part of the façade is completed with a wide frieze decorated with moldings. The courtyard, which had access to Galernaya Street, was also designed in Baroque forms.

In 1887, the palace was bought for Grand Duke Pavel Alexandrovich, on the occasion of his upcoming marriage to Alexandra Georgievna.

On June 6, 1889, a gala reception took place. From now on, the palace is officially called Novo-Pavlovsky. The young family did not make major changes to the interior.

During Soviet times, the palace housed first an orphanage, and then a shipbuilding design bureau.

Address: Admiralteyskaya metro station, Angliyskaya embankment, 68/Galernaya st., 69

The palace was located on the Petropavlovskaya embankment, and received its name in 1903. Initially, it stood on the very shore and the waves of the Neva splashed near its walls. Now there is a staircase leading to this place, decorated with mythological sculptures known as “Chinese frogs”.

The main facade of the 3-storey palace from the side of the Neva and Trinity Square is decorated in the neoclassical style, and the facade from the courtyard is in the Art Nouveau style.

The palace has an extraordinary interior decoration - the interior is made of marble, Karelian birch, bronze and stucco.

During Soviet times, it managed to change several owners - the Institute for Brain Research, the Institute of Semiconductors and the Institute of Lake Science were alternately located here. At the end of the 20th century, the building was converted into a Wedding Palace, and since 2000 it has housed the residence of the plenipotentiary representative of the President of the Russian Federation in the Northwestern Federal District.

Address: metro station Gorkovskaya, Petrovskaya embankment, 2

More detailed information about the palace can be read -

The existing building was rebuilt in 1898. The architect is A.F. Krasovsky. In 1903, it was purchased by Grand Duke Andrei Vladimirovich, to whom it belonged until 1917. Later, various government institutions were located in it.

Prince Andrei Vladimirovich became famous thanks to his marriage to the famous ballerina Matilda Kshesinskaya. He did not live in this house, but was located in the regimental apartment. But various members of the royal family often gathered here.

During World War II, the palace housed a children's reception center, and part of the premises was given over to a hospital.

In 1959, the first wedding palace in the Soviet Union was opened in the mansion. He performs this function to this day.

Address: Admiralteyskaya metro station, Galernaya street, 27.

More detailed information about the palace can be read -

Palace of Alexander Mikhailovich

The palace was presented to the prince in honor of his wedding with Ksenia Alexandrovna, daughter of Emperor Alexander III.

The interior of the mansion was designed by Rochefort. The fence was also made according to his sketches. The façade on the garden side is treated only with rusticated blades and has high windows.

There is a beautiful park in front of the palace. It is separated from the embankment by an openwork lattice.

The princess (wife of Prince Alexander Mikhailovich) was actively engaged in social activities. During the First World War, a hospital for the wounded was set up in one of the wings of the palace.

Unfortunately, today the interior decoration has hardly been preserved.

Today, the palace of Prince Alexander Mikhailovich is State University physical culture, sports and health named after P. F. Lesgaft.

Address: metro station Sadovaya, st. Dekabristov, 35.

At the end of the 18th century, the son of Emperor Paul the First was born, who was named Mikhail. As was customary, a number of broad gestures were made in honor of this event, including the decision to lay the foundation and build a palace in St. Petersburg. This was a long-term project and funds for the creation of this palace were received by the treasury annually. But fate decreed that at the very beginning of the 19th century, Emperor Paul the First was killed. Mikhail was only three years old at that time. The new Emperor Alexander the First ascended the throne, who implemented the idea of ​​his predecessor, and on the occasion of Michael’s 21st birthday, an order was issued to build his own palace for him.

Carl Rossi was chosen as the architect. After numerous projects to demolish old buildings and reconstruct them into a new mansion, it was decided to build the Mikhailovsky Palace from scratch in the very center of St. Petersburg. In order for the building to be as sustainable as possible, all construction work was carried out exclusively in the warm season.

Truly, the interiors of the palace were royal. At the entrance on the stairs, guests were greeted by two sculptures depicting lions. The statues in the house were replicas of ancient Roman statues found in Rome. The walls, for the first time in the history of that time, were covered with wallpaper. The parquet flooring was made from the most expensive type of wood.

In gratitude for his work, the architect received from Emperor Alexander the First an order and a plot of land to build his own house.

Mikhailovsky very soon became a famous cultural center of the city of St. Petersburg. Such outstanding personalities as Aivazovsky, Pushkin, Bryullov, Tyutchev and others often came to this house. Later, the first conservatory in Russia was organized here.

Later, the palace met a sad fate; it was reorganized into apartment building and the condition of the palace began to rapidly deteriorate. IN late XIX century, Emperor Nicholas II created the Russian Museum of Alexander the Third here. Now this is the building of the State Russian Museum, known to every resident of St. Petersburg.

Address: St. Petersburg, Inzhenernaya street, 4. Metro stations “Nevsky Prospekt”, “Gostiny Dvor”.

Palace of Kirill Vladimirovich

The mansion was built in 1873 by architect K. Ya. Sokolov, then it was rebuilt in 1904 by V. P. Apyshkov, G. G. I Krivoshein, and in the 1910s. – N.I. Alekseev.

The prince is a hero of the Russo-Japanese War. His descendants, but through the female line, now head the House of Romanov. Kirill Vlademirovich purchased it from the Kelkh family of industrialists, who were experiencing financial difficulties after the Russo-Japanese War. Unfortunately, any Additional Information there is no information about the palace. Now the building houses many government organizations.

Address: m. Sadovaniya, st. Glinka, 13.

The Marble Palace is the first building in the city to use natural stone in its construction and decoration. At the same time, marble was used not only outside, but also for numerous interior decorations. This is how this palace got its name.

No matter how paradoxical it may sound, however, on the site of the most beautiful Marble Palace, until the beginning of the 18th century, there was a drinking house. Afterwards it was transformed into the Post Office. After a series of transformations, towards the end of the 18th century, by order of Empress Catherine II, the now famous Marble Palace was built. This was her gift to Count Orlov for the support he provided to her during the ascension of Catherine II to the throne. The count also did not remain in debt; the return gift was a royal diamond, the size of which was almost 190 carats. However, the count did not live to see the completion of construction. The Empress bought the house from his heirs, but shortly before her death she transferred the palace to the count's grandson.

The main hall is the hall of the same name, where the bas-reliefs of the architect A. Rinaldi called “Sacrifice” are located, which he prepared for St. Isaac’s Cathedral. Next is the gallery of glory of the Orlovs and Empress Catherine II - their halls of the same name, and even further - the apartments of Grigory Orlov himself.

The palace hosts exhibitions demonstrating the influence of Russian art on global trends. For example, an exhibition dedicated to foreign artists staying in Russia in the 18th-19th centuries is held on a regular basis.

Address: st. Millionnaya, 5/1, St. Petersburg, metro Nevsky Prospekt, Gostiny Dvor

Olga Alexandrovna Romanova is the last Grand Duchess, the youngest daughter of Emperor Alexander III and Empress Maria Feodorovna. After the fall of the Romanov dynasty, she left for Crimea with her mother, husband and children.

The story of the romantic love between the princess and Colonel Kulikovsky is connected with the palace. Her marriage to Peter of Oldenburg was concluded by convenience. One day Olga met a man who forever sank into her heart. It turned out to be Colonel Kulikovsky. She could not hide it and confessed to her husband. Peter gave the lovers 7 years to test their feelings - and made Kulikovsky his adjutant, settling him in his palace. After such a long period of time, the marriage took place.

Now part of the interior has been lost, but the palace has retained its grandeur.

Address: m. Chernyshevskaya, st. Tchaikovsky, 46.

More detailed information about the palace can be read -

Palace of Grand Duke Alexei Alexandrovich

This palace, built in the style of a French chateau, was built as a residence for Grand Duke Alexei Alexandrovich at the end of the 8th century. The project was also entrusted to the architect M. E. Messmacher. At the same time, the architect was given a certain task. It was assumed that he would use already built buildings, performing work to improve and redevelop them. In 2005, the palace building was transferred to the House of Music of the city of St. Petersburg.

It should be noted that the result exceeded all expectations. The architect managed to reflect in the building the Grand Duke’s personal preferences for life in comfort and prosperity. He liked French castles, but with all the modern amenities. A power plant, stables, greenhouse and other service premises were erected on the private territory.

Intertwined in the interior of the palace different countries and times. There are elements of the English Middle Ages, oriental exoticism, Baroque and Renaissance.

Grand Duke Alexei Alexandrovich died in 1908 in Paris. The palace became the property of his brothers, who rented it out before the Great October Revolution.

Address: Embankment of the Moika River, 122. St. Petersburg, Spasskaya metro station

Palace of Grand Duke Vladimir Alexandrovich (House of Scientists)

Reminiscent in its style to Italian palaces of the Renaissance, the Palace of Grand Duke Vladimir Alexandrovich is a real decoration of St. Petersburg. At one time it was the center of the city's social and cultural life. Balls and various cultural evenings were held here.

Like all other palaces, after 1917 the building was nationalized. It was decided to use it as the “House of Scientists”. Due to the fact that the building was used for more or less cultural purposes, the general decoration of the palace has reached us in relatively good condition.

Address: Dvortsovaya embankment, 26, St. Petersburg, Admiralteyskaya metro station

More detailed information about the palace can be read -

Palace of Grand Duke Mikhail Alexandrovich

The palace is located on the embankment of the Neva River. The best ceramic tiles available at that time were used for its cladding.

Located on the most privileged embankment of the city - the Promenade des Anglais. House The history of the palace is intertwined with such famous names, like Princess Yusupova, Prince Menshikov, and, of course, with the name of Grand Duke Mikhail Andreevich, the son of the emperor.

Princess Yusupova owned the building until 1823. Then she sold it to the Imeretian royal family, who, not having large funds, immediately began renting out two floors in the palace. However, this did not help the bankrupt family and in 1830 the house was sold to Prince Alexander Menshikov.

At the end of the 19th century, the palace came into the possession of Grand Duke Mikhail Alexandrovich, brother of Nicholas II. After the victory of the Great October Revolution in 1917, the palace was nationalized and transferred to the All-Russian Society of the Deaf.

Address: Angliyskaya embankment, 54, St. Petersburg metro station Admiralteyskaya

More detailed information about the palace can be read -

The house on Palace Embankment has a rich history. In the middle of the 18th century, ownership of the plot on which the palace is located passed to the Sheremetyev family, as a dowry to the daughter of Count Cherkassy, ​​whom Count Pyotr Sheremetyev took as his wife. In 1767, misfortunes came to this family, first the count’s wife died, and then his daughter, after which he moved to live in Moscow.

The building came under the control of the Department of Appanages, and an inn for persons of high importance was organized in the historical building. N.V. worked within the walls of this palace in those days. Gogol.

In 1857, the marriage of Grand Duke Mikhail Nikolaevich took place, after which a logical need arose to create a separate residence for the Grand Duke’s family. According to the first plan, it was assumed that his house would be combined with the palace of Grand Duke Nicholas, his elder brother. But the brothers, nevertheless, wanted to live separately, and, as a result, a separate Nikolaevsky Palace was built on Blagoveshchenskaya Square and the Novo-Mikhailovsky Palace.

After the Great October Revolution, the palace building was used for the needs of the Communist Academy. Now the palace houses the Institute of the History of Material Culture, the Institute of Oriental Studies and the Institute of Electrophysics Problems.

Address: Dvortsovaya embankment, 18, St. Petersburg, Admiralteyskaya metro station

More detailed information about the palace can be read -

Nikolaevsky Palace

The Nicholas Palace was conceived as a residence for the son of Emperor Nicholas I, the Grand Duke, who was also named Nicholas. The building itself was intended not only as a residential premises, but also as an infrastructure facility. Near the palace it was planned to build a stable and living quarters for servants. The Grand Duke moved into Nikolaevsky together with his wife, with whom until that time they had lived in the Winter Palace.

Like all the palaces of the grand dukes, Nikolaevsky was equipped with all possible amenities of that time, including telegraph communication and an elevator, the cabin of which was made of expensive red wood.

Nikolai Nikolaevich died in 1891, leaving behind large debts. The palace was taken over by local authorities. However, the heirs were allowed to take back their inheritance in the form of expensive interior items and utensils.

Currently, the Nikolaevsky Palace houses both business offices and the Council of the Federation of Trade Unions of St. Petersburg and the Leningrad Region.

Address: Truda sq., 4 / Konnogvardeisky blvd., 23 / Galernaya st., 24, St. Petersburg, metro station Admiralteyskaya

More detailed information about the palace can be read -

The Mariinsky Palace was built in the forties of the 19th century on St. Isaac's Square. It was a gift from Emperor Nicholas I to his daughter Maria on the occasion of her marriage to the Duke of Leuchterberg, who was the grandson of Josephine Beauharnais, who was Napoleon's wife. Therefore, the palace was named after the Grand Duchess.

Grand Duchess Maria Nikolaevna had a rather complex, masculine character at that time. She categorically refused to get married if it was connected with a further move from St. Petersburg. And it was quite logical. Marriages of grand duchesses at that time were arranged, mainly with people from bankrupt aristocratic families who did not have a high position. Thus, upon getting married, the Grand Duchess automatically moved from luxurious St. Petersburg to the German or any other European wilderness.

Maria Nikolaevna's husband died in 1852, and she lived in the Mariinsky Palace for the rest of her life, that is, until 1876. The children of the family subsequently sold the palace because they were not able to maintain it.

Address: Isaakievskaya sq., 6, St. Petersburg, Admiralteyskaya metro station

Malo-Mikhailovsky Palace

The palace is located on the Admiralteyskaya Embankment, in the very heart of St. Petersburg. Until the seventies of the 19th century, the building belonged to the Admiralty Shipyard. Afterwards, part of the house was bought by the grandson of Nicholas I, Grand Duke Mikhail Mikhailovich. Here he planned to build his own house upon reaching adulthood. The Grand Duke planned for the future. The architect received a task from him, which sounded like this: “build us a wonderful house,” meaning Mikhail Mikhailovich himself and his not yet chosen future wife.

The interior and technical part of the decoration of the palace met the highest requirements of that time. It was gasified, electrified, water supply and sewerage were installed. There was also a telephone. The road in front of the palace was ordered to be covered with asphalt.

More detailed information about the palace can be read -

However, fate has its own way. After several attempts by the Grand Duke to enter into a clearly unequal marriage, he nevertheless succeeded in his desire and married Countess Merenberg, who was the daughter of the Duke of Nassau and also the granddaughter of A.S. Pushkin. He and his wife never returned to Russia, and payments from family accounts were stopped. There was no more money to build a house.

The architect M.E. Messmacher was rewarded for his work with an order.

Since St. Petersburg already had palaces with the names Mikhailovsky and Novo-Mikhailovsky, the prefix “little” was added to the palace in order to somehow distinguish them.

Unable to live in his palace, Mikhail Mikhailovich decided to sell it. However, there were no buyers for a long time; the premises had to be rented out. Eventually the Ministry of Industry and Trade was housed in the building.

Since childhood, I went to St. Petersburg on all my holidays. From an early age I loved him with all my heart. 10 years later I live in the city of my dreams. Writing articles about St. Petersburg is an unspeakable joy and happiness for me. (No ratings yet)

Palace of Princess M.V. Vorontsova

For bicycles book Alexander Mikhailovich - grandson of Nicholas I - building in 1895-1897. partially rebuilt - civil. engineer. Nikolai Ivanovich de Rochefort (Rochefort).
The garden facade of the palace is treated only with rusticated blades and cut through by high windows. The building is completed by a high mezzanine with a balustrade.

The first owner of the site was Rear Admiral Ivan Akimovich Senyavin. He received a plot of land on the Moika from Tsar Peter Alekseevich back in the 1710s.
Then the estate on the Moika passed to his son Ivan, who also chose naval service.
In 1765, the plot was sold to the Narva merchant A.V. Wulfert.
According to the axonometric plan of Saint-Hilaire-Sokolov (1770s), in addition to the two-story stone chambers with a triangular pediment and, at that time, a one-story embankment outbuilding with seven windows, various outbuildings and a fairly extensive garden are visible along the façade, separated from the wooden Moika embankment lattice.

In the 1810s. the owner of the estate is merchant Ivan Frost. He built a stone wing behind the main building, almost adjacent to it, but somewhat to the left, so that both buildings almost touched at the corners. With further restructuring they merged into one.
In 1828, I. I. Frost sold his home ownership to the engineer-major general of the Department of Railways, Karl Ivanovich Albrecht.

By the mid-1850s. the house was sold to His Serene Highness Princess M.V. Vorontsova, née Princess Trubetskoy.
In 1894, Princess Vorontsova sold the mansion on the Moika to the appanage department.

On the occasion of their wedding, it was handed over to Grand Duke Alexander Mikhailovich and Grand Duchess Ksenia Alexandrovna, daughter of Emperor Alexander III.
The interiors of the mansion were re-decorated according to the design of the citizens. Eng. N.I. de Rochefort. A fence with a magnificent gate was also made according to his drawing.

In front of the palace there is a square separated from the embankment by an openwork lattice. Outbuildings were located on the site, which has the shape of an irregular polygon.
Alexander Mikhailovich was married to Vel. book Ksenia Alexandrovna - sister of Nicholas II. The princess was engaged in active social activities; during the First World War she was the Highest Patron of the hospital for the wounded, located in one of the wings of the palace.

The interiors were decorated in various styles. The interior decoration has hardly been preserved.

In 1919, the State Institute of Physical Education (GIFO) was created (transformed from the courses of P. F. Lesgaft). Moved GIFO named after. P.F. Lesgaft (this name was given to him in 1924) to the building on the Moika embankment 108 in 1924.
Now - National State University of Physical Culture, Sports and Health named after P. F. Lesgaft.

Author - Maya_Peshkova. This is a quote from this post

Palace of Grand Duke Alexander Mikhailovich

Palace of Grand Duke Alexander Mikhailovich - grandson of Emperor Nicholas I and the Grand Duchess Grand Duchess Ksenia Alexandrovna, eldest daughter of Emperor Alexander III. At the end of the 18th century, the architect Monighetti built the palace of Princess M.V. Vorontsova here.

In 1895-1897 it was restored by architects N.V. Sultanov and Count de Rochefort. Rochefort's works are of exceptional interest as the first Art Nouveau interiors in St. Petersburg. Moreover, Rochefort opens the era of this style in Russia. “Now in the building you can see an exquisitely shaped fireplace and stucco lampshades from the time of Monighetti; doors, stoves, the office of Chatelain (the manager of the palace, the brother of the famous scientist) from de Rochefort.”

The second name of the palace is the Palace of Grand Duchess Ksenia Alexandrovna. The palace building was presented to the princess and prince as a royal gift for the wedding, which took place on July 25, 1894

Her brother was Nicholas II, the last Tsar of Russia). This palace is also sometimes called the Palace of Grand Duke Alexander Mikhailovich (this is the grandson of Nicholas I). You can call it either way - the building was presented to the princess and prince as a royal gift for the wedding, which took place on July 25, 1894, so this is their common palace. The Grand Duke was responsible for merchant shipping in the Empire

The princess was engaged in active social activities; during the First World War she was the Highest Patron of the hospital for the wounded, located in one of the wings of the palace.

Ksenia Alexandrovna with the crew of her military ambulance train

The palace is located directly opposite the New Holland Island, on the embankment of the Moika River. The building was rebuilt many times. The first owner of the plot on the Moika embankment was in the 1710s Rear Admiral Ivan Akimovich Senyavin, who served Peter I. The garden façade of the palace is rusticated and cut through with high windows. The building is completed by a high mezzanine with a balustrade.

In front of the palace there is a square, separated from the embankment by an openwork lattice, with luxurious openwork gates decorated with monograms with the princess’s initials - “KAK”

In 1765, the plot was sold to the Narva merchant A.V. Wulfert. The first owner of the site was Rear Admiral Ivan Akimovich Senyavin. He received a plot of land on the Moika from Tsar Peter Alekseevich back in the 1710s. Then the estate on the Moika passed to his son Ivan, who also chose naval service. In 1765, the plot was sold to the Narva merchant A.V. Wulfert.

According to the axonometric plan of Saint-Hilaire-Sokolov (1770s), in addition to the two-story stone chambers with a triangular pediment and, at that time, a one-story embankment outbuilding with seven windows, various outbuildings and a fairly extensive garden are visible along the façade, separated from the wooden Moika embankment lattice.

In the 1810s. the owner of the estate is merchant Ivan Frost. He built a stone wing behind the main building, almost adjacent to it, but somewhat to the left, so that both buildings almost touched at the corners. With further restructuring, they merged into one. In 1828, I. I. Frost sold his household to the engineer-major general of the Department of Railways, Karl Ivanovich Albrecht. By the mid-1850s. the house was sold to His Serene Highness Princess M.V. Vorontsova, née Princess Trubetskoy. In 1894, Princess Vorontsova sold the mansion on the Moika to a specific department.

1919 The State Institute of Physical Education (GIFO) was created (transformed from the courses of P. F. Lesgaft). Moved GIFO named after. P.F. Lesgaft (this name was given to him in 1924) to the building on the Moika embankment 108 in 1924. Thanks for the photo:

PALACE OF GRAND DUKE ALEXEY ALEXANDROVICH

The Palace of Grand Duke Alexei Alexandrovich (“House of Music”, “Alekseevsky Palace”) is one of the grand ducal palaces of St. Petersburg, located on the Moika embankment. Built by M.E. Messmacher for Grand Duke Alexei Alexandrovich in 1882-85.

Since February 2006, the building has housed the St. Petersburg House of Music - an institution whose main goal is to preserve and develop the traditions of classical musical art, as well as prepare students and graduates of conservatories for international competitions and festivals

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Built in 1882-1885. designed by the architect Maximilian Egorovich Messmacher

The choice of location for the construction of the palace in the old, traditionally maritime area of ​​​​St. Petersburg, near the timber warehouses of New Holland, the barracks of the guards naval crew and shipyards is due to the fact that Grand Duke Alexei Alexandrovich headed the Naval Department and was the commander-in-chief Russian fleet. The area was quite densely built up, but there was a need to create an extensive property.

At first, the site was formed from two properties that belonged to Major General K.I. Albrecht and merchant Petrov. By 1845, on Petrov’s property there was a one-story stone building on high basements, and in front of it were two service wings. In 1846-1848. arch. Efimov expanded the existing residential building and turned it into a ceremonial mansion by order of the new owner, master of ceremonies A.I. Saburov.

M. Messmacher. Dance hall parquet project.

One of the wings was demolished and replaced with a new one, connected to the main volume of the building. In 1849 academician. arch. G. Bosse, for the same owner, added a vestibule with richly decorated facades to the main entrance and expanded the mansion with the addition of a one-story western wing on the basements.

Between 1849-1875 unknown architect (possibly the same G. Bosse) rebuilt the attic floor of the main building and decorated it with a balustrade decorated with busts. In 1875-1878. According to the design of engineer-captain Chikalev for honorary citizen G. Malkiel, the western wing and the volume connecting it with the main building were built with a second floor. At the same time, an eastern wing with a second entrance was added to the eastern wing of the main building in place of the gallery.

In March 1882, the first plot was acquired, facing Alekseevskaya (now Pisareva) street. and the property of G. Malkiel on the embankment. Moika and English Avenue. In the same year, we purchased a plot of land on English Ave. from Voronin, and the next year, from Batashov, a plot of land overlooking the embankment. Sinks. Two more additions by exchange were included in the holdings in 1884-1886.

In 1883-1885. acad. arch. M. Messmacher completed the design of the palace. The architect preserved the previously existing combinations of different-sized volumes, adding two towers to them, which diversified the silhouette. In terms of volumetric-spatial composition, the palace consists of four main volumes, of which the central and western ones are two-story. In plan, these are four rectangles of different sizes, close to each other. The fourth rectangle is perpendicular to the other three, connected by a common axis. The composition of busts and balustrades remained unchanged.

Western facade, so-called the kitchen outbuilding was left in its original form. The service wing between the embankment and the eastern residential wing was turned into its own entrance. The second floor was cut through by three semicircular windows and accentuated by pilasters. The four-tiered tower, raised above the roof level, occupied a dominant position in the composition and was visible from afar. It ended with a hipped roof with a small spherical dome.

At the base of the tent there were four attic projections with volute-shaped fillets on the sides and in the lower and upper parts. Messmacher lavishly decorates both entrances, making the façade facing the embankment more solemn. There were six busts above the Own Entrance, ten busts on the balustrades of the first and second floors of the Main Entrance.

On the sides of the main entrance, two triple lanterns were installed on cast iron pillars, designed by M. Messmacher. The main entrance is rusticated to resemble a fur coat; above the doorway there is a cartouche with the coat of arms of the Grand Duke. The door is decorated with Ionic fluted half-columns and a semi-circular finish with ornamental molding.

The entrance to the Own Entrance is located in the north-eastern part of the northern facade in the cut corner of the building. The front door is decorated with Tuscan columns and a cartouche-shaped keystone. A loose entablature with a bowed pediment rests on the columns. The façade of the entrance is finished with rusticated stripes and two square niches with lucarnes, bordered by moldings and protected by ornamental cast-iron gratings

The lobby is highlighted by a two-tier tower with an octagonal dome, topped with a spire in the shape of an openwork forged flower. The corners of the second tier of the tower are concave on the edges. The sides of the second tier of the tower have rectangular openings framed by frame pilasters with a flower in the center. The openings are completed with profiled beamed pediments with molding.

Lattice in the form of lances, decorated with the prince's vesels - "AA"

The fence is one of the most important artistic elements of the palace ensemble. It consists of copies of different heights, connected at the bottom and top with ornamental belts. The links are separated by tridents, and the grille has an applied monogram topped with a crown.

Above the gate, between the pylons, there is an ornamental metal arch in the form of stylized diverging acanthus leaves and spiral volutes. The gate pillars are crowned with a complex finish with volutes on the sides and a tent in the upper part, on which hexagonal lanterns are attached on forged brackets, three on each pillar.

Messmacher completed the layout of the front garden facing the Moika River and the Own Garden, located in front of the southern facade of the palace and separated from Alekseevskaya Street. high stone wall. The private garden was decorated with a sculpture placed on mounds marking the burial places of the Grand Duke's dogs. There was a fountain in front of the office windows. The construction of the palace entailed the construction of a new street, which was named Alekseevskaya (now Pisareva).

1900. general view of the English living room

Dining room panel

The design of the interiors of the Alekseevsky Palace is distinguished by logic, expediency and interconnectedness. All private rooms face the garden, away from the streets, which ensured maximum peace for the owner. Guests could enter the palace through two lobbies - the Front and Own. Messmacher retained the original Grand Entrance Hall, designed by Bosse, its divisions and the existing marble staircase.

The lobby of the Main Entrance was decorated with marble sculptures of the muses Urania and Erato, located in niches. Directly opposite the lobby was the Reception Room, to the right of which were three formal rooms: the Hall, the Red Living Room and the Great Dining Room. The dining room was connected to the western wing, which contained the Service Room and the Pantry. To the left of the lobby there was a Znamennaya, a place for storing naval banners. The Library was adjacent to it. There was a corridor here that connected the Office and personal rooms.

The walls of the vestibule of the Own Entrance are decorated with rusticated pilasters, above which there is a complex cornice with figured brackets. In the niche there is a marble fireplace with putti figures and the head of a satyr. In the eastern wing, where the Own Entrance was located, Messmacher placed three ceremonial rooms for ceremonial receptions: the English Hall, the Chinese and Flemish drawing rooms.

The English Hall is one of the largest rooms of the palace, reminiscent of an ancient knight's hall. An important element The decoration is a stucco ceiling decor based on English stucco lampshades of the 16th-17th centuries. The fireplace is the main feature in the composition of the room. The doors of the hall are lavishly decorated with carvings. Along the perimeter of the hall there was an oak paneled panel; the upper part of the wall was decorated with an oak cornice-shelf with paired brackets, which was intended for dishes.

The Chinese living room is made in the late “Chinauzeri” (French for “Chinese”) style. It is decorated with carved panels and details characteristic of the Far Eastern style of the 19th century. The walls, halfway up from the plinth, as well as the doors and window openings, and mirror frames, were lined with dark varnished rosewood. The second half of the walls was covered with decorative fabric. The paintings on the ceiling and walls were done by decorator S.I. Sadikov. Messmacher completed a design for decorative fabric to decorate walls with images of dragons.

The Flemish living room was decorated using tapestries made in the Flemish style, a single-tier fireplace with a firebox, painted ceilings, and the use of “Flemish carving” in the decoration - a complex ornament of lace carvings, torn cartouches, interlacing vines, leaves, fruits, flowers and ribbons around the edges.

The dance hall is located in the center of the western wing and is designed in the “Pompadour taste” - based on imitation and artistic adaptation of the art forms of France during the time of Louis XV. In the center there is a large picturesque lampshade “Cupid and Psyche”, on four small lampshades there are figures of playing cupids “in the style of Boucher”. The inlaid parquet follows the outline of the ceiling. Mirrors were generously included in the wall decoration.

Among the most interesting rooms in the residential part of the palace is the Grand Duke's Office. One part of it is connected through an oak arch to the Reception Room, the other through a triple oak arch has access to the Library. One-third of the walls of the Cabinet are covered with profiled oak panels; above they are covered with embossed leather with a gilded pattern. The coffered ceiling is also lined with oak; the doors are decorated with cartouches and carved frames. The two-tier fireplace made of gray sandstone is decorated with the prince’s monogram. The reception area is decorated in the same style and material.

Alexei Alexandrovich died in 1909, the Grand Duke's brothers Vladimir and Pavel Alexandrovich and nephew Mikhail Alexandrovich were declared heirs. From Vladimir Alexandrovich, who died soon after, his share passed to his wife Maria Pavlovna and children.

Oak cabinet

oak cabinet

bathroom tiling

Since the 1950s, the Leningradorgstroy trust has been located here. Before the restoration began, the building was rented by the Moscow publishing house ModusVivendi.

Part of the territory of the Own Garden, where the greenhouses and the gardener’s house were located, was sold in June 1910 to the owner of the confectionery factory, Georges Bormann. In the summer of 1911, another piece of property overlooking English Ave. was sold; it was purchased by one of the directors of the Russian-American Rubber Manufactory, von der Pals; a mansion was built on the site.

On April 1, 1911, the palace was leased for 18 months to the Imperial German Embassy. The embassy occupied it until November 1912 and “after the expiration of the lease, it moved to the newly rebuilt embassy building” on St. Isaac’s Square. In March 1914, the XI exhibition of paintings by the Association of Artists was exhibited within the walls of the palace for six weeks, because Maria Pavlovna was the president of the Academy of Arts. On November 4, 1914, nobleman Konstantin Klavdievich Reshko, living in Simferopol, bought the Alekseevsky Palace with all its services and garden in exchange for the Lopatichi estate.

After October 1917, the palace was nationalized. From 1919 to 1941 it was administered by various institutions. During the Second World War the building was used as a warehouse. In the post-war years, it housed the House of Pioneers. Since the 1950s, the Leningradorgstroy trust has been located here. Before the restoration began, the building was rented by the Moscow publishing house ModusVivendi.

Alekseevsky Palace is included in the list of historical and cultural monuments of the Russian Federation of federal significance located in St. Petersburg (Resolution of the Government of the Russian Federation of July 10, 2001 No. 527).
Based on materials:

Malinina T. A., Suzdaleva T. E. Palace of Grand Duke Alexei Alexandrovich. St. Petersburg: Almaz LLC, 1997)

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